I condemn without hesitation the position of the Knave of Diamonds, which has replaced creative activity with theorizing.
Cubism — a Diatribe Natalia Goncharova, 1912
Dancer Gino Severini, 1912
Dancer in a Café Jean Metzinger, 1912
Der Frühling (Fassung IV) Ferdinand Hodler, 1912
Dynamic Hieroglyphic of the Bal Tabarin Gino Severini, 1912
Dynamism of a Dog on a Leash Giacomo Balla, 1912
Entrance to the Casbah Henry Ossawa Tanner, 1912
There is nothing real outside ourselves; there is nothing real except the coincidence of a sensation and an individual mental direction.
Excerpts from Du "Cubisme" Albert Gleizes, Jean Metzinger, 1912
Female Figure Piet Mondrian, 1911 – 1912
Sit today, my dear child: whosoever's hungry, may bark: the warhose flies in the wind: the pointer with the trowel: is truly my worst foe.
From the Cradle to the Grave, Excerpt Adolf Wölfli, 1912
Gateway, Tangier Henry Ossawa Tanner, 1912
Harvest Threshing Albert Gleizes, 1912
Horizontal Volumes Umberto Boccioni, 1912
Improvisation 28 (second version) Wassily Kandinsky, 1912
Indian Totem pole, Hazelton, Skeena River, BC Emily Carr, 1912
Indian Totem pole, Yan, Queen Charlotte Islands Emily Carr, 1912
La Plume Jaune Jean Metzinger, 1912
Landscape, 47 Natalia Goncharova, 1912
Large Green Vase with Mixed Flowers Odilon Redon, 1910 – 1912
Man on a Balcony Albert Gleizes, 1912
Materia Umberto Boccioni, 1912
Nude Piet Mondrian, 1911 – 1912
Nude Descending a Staircase, No. 2 Marcel Duchamp, 1912
Plastic Synthesis Of Movements Of A Woman Luigi Russolo, 1912
Plate 2627: Guarda Charles Dellschau, 1912
Portrait of Albert Gleizes Jean Metzinger, 1912
Portrait of Mäda Primavesi Gustav Klimt, 1912
Portrait of Wally Neuzil Egon Schiele, 1912
Ria Munk on her Deathbed Gustav Klimt, 1912
Self Portrait with Lowered Head Egon Schiele, 1912
Self-Portrait with Physalis Egon Schiele, 1912
Self-Portrait with Straw Boater Gino Severini, 1912
Simultaneous Visions Umberto Boccioni, 1912
Solidity of Fog Luigi Russolo, 1912
Speeding Automobile Giacomo Balla, 1912
Still Life with Ginger Jar 1 Piet Mondrian, 1912
Still Life with Ginger Jar 2 Piet Mondrian, 1912
How can generations of sculptors can continue to construct dummies without asking why the exhibition halls of sculpture have become reservoirs of boredom and nausea?
Technical Manifesto of Futurist Sculpture Umberto Boccioni, 1912
The Birth of Venus Odilon Redon, 1912
The Blue Ship Sigrid Hjertén, 1912
The Last Angel Nicholas Roerich, 1912
The Passage from Virgin to Bride Marcel Duchamp, 1912
The Rider Jean Metzinger, 1911 – 1912
The Smokers Fernand Henri Léger, 1911 – 1912
The Three Sisters Élisabeth Chaplin, 1912
Three Horses Franz Marc, 1912
Totem Poles, Kitseukla Emily Carr, 1912
Tsesarevich Egg Peter Carl Fabergé, 1912
Umah Richard Teschner, 1912
War Canoe, Alert Bay Emily Carr, 1912
Next Century