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Trees on a Yellow Background

Odilon Redon, 1901


Winslow Homer, 1895-1901

Judith and the Head of Holofernes

Gustav Klimt, 1901

Descent from the Cross

Maurice Denis, 1901

Flatiron Building

Daniel Burnham, 1902

Portrait of Marie Henneberg

Gustav Klimt, 1901-1902

Self portrait in front of flowering trees

Paula Modersohn-Becker, 1902

Portrait of Evelyn Nesbit

Gertrude Käsebier, 1901-1902

The Caress

Mary Cassatt, 1902

The Fallen Demon

Mikhail Vrubel, 1902


Gwendolen Mary John, 1902


Gustav Klimt, 1901-1902

Portrait of Emilie Flöge

Gustav Klimt, 1902

The Wretched

Meta Vaux Warrick Fuller, 1902

Beech Grove 1

Gustav Klimt, 1902

Garden and Chapel at Blainville

Marcel Duchamp, 1902

'Surface Decoration' — Cover

Koloman Moser, 1902

Our Lady of Peace

Evelyn De Morgan, 1902

Hydrangeas, 紫陽花

Hishida Shunsō, 1902

Working Woman with Blue Shawl

Käthe Kollwitz, 1903

Silver Favourites

Lawrence Alma-Tadema, 1903

Hope 1

Gustav Klimt, 1903

The Smoker

Ludwig Deutsch, 1903

The Thinker

François Auguste René Rodin, 1903

The Manger

Gertrude Käsebier, 1903

La Vie

Pablo Picasso, 1903

What freedom!

Ilya Repin, 1903

The Good Shepherd

Henry Ossawa Tanner, 1902-1903

Self-portrait of the Artist with a Lamp

Henri Rousseau, 1903

The Brooch / Eva Mudocci

Edvard Munch, 1903

Nkisi, called 'Chingunge N'


Purkersdorf Sanatorium Armchair

Koloman Moser, 1903

Portrait of George W. Vanderbilt

James McNeill Whistler, 1897-1903

Sketches for Eisler Terramare High Chair

Koloman Moser, 1903

Four Girls in Åsgårdstrand

Edvard Munch, 1903

Peasant War print 5: Outbreak

Käthe Kollwitz, 1903

Inlaid Eisler-Terramare Armoire

Koloman Moser, 1903

La Marée Basse

Jean Metzinger, 1904

Art Forms in Nature, Plate 17: Siphonophorae

Ernst Haeckel, 1904


André Derain, 1904

What a pitfall the practice of Antiquity can be. — It is an art that is too rich, too perfect, too general, of bygone idealism, and for which the conventions have become nearly incomprehensible

On Rome and the Wonders of Antiquity

Maurice Denis, 1904

Art Forms in Nature, Plate 85: Ascidiacea

Ernst Haeckel, 1904


Jean Metzinger, 1904

Art Forms in Nature, 99: Trochilidae

Ernst Haeckel, 1904

Woman Ironing

Pablo Picasso, 1904

What makes a piece of artwork significant, is the fullness of the artist’s efforts, the powerfulness of his or her will.

On Raphael and the Power of Will

Maurice Denis, 1904

The Chess Players

Ludwig Deutsch, 1904

Art Forms in Nature, Plate 68: Batrachia

Ernst Haeckel, 1904

Art Forms in Nature, Plate 71: Stephoidea

Ernst Haeckel, 1904

Art Forms in Nature, Plate 96: Chaetopoda

Ernst Haeckel, 1904

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