Suprematism Kazimir Malevich, 1917
The Cardplayers Theo van Doesburg, 1916 – 1917
The Church of Souain Félix Vallotton, 1917
The Embrace Egon Schiele, 1917
The Enchanted Castle Matthijs Maris, 1851 – 1917
The Grammont in the Morning Sun Ferdinand Hodler, 1917
The Grand Metaphysician Giorgio de Chirico, 1917
The Letter (Sick) Gabriele Münter, 1917
More than annoyed, sad. More than sad, unhappy. More than unhappy, suffering.
The Sedative Marie Laurencin, 1917
Vanished Illusions (Grief) Matthijs Maris, 1900 – 1917
Weeping Venus Romaine Brooks, 1917
Woman Seated María Blanchard, 1917
Woman with Guitar María Blanchard, 1917
Woman with Red Hair Amedeo Modigliani, 1917
Adam and Eve Gustav Klimt, 1917 – 1918
Avenue of the Allies (5th Avenue) Anne Goldthwaite, 1918
Comical Repast (Banquet of the Starved) James Ensor, 1917 – 1918
Composition Aleksandr Rodchenko, 1918
Composition XIII Theo van Doesburg, 1918
Cubist Composition María Blanchard, 1918
We are like a raging wind that rips up the clothes of clouds and prayers, we are preparing the great spectacle of disaster, conflagration and decomposition.
Dada Manifesto Tristan Tzara, 1918
There is an old and a new consciousness of time
De Stijl Manifesto Theo van Doesburg, 1918
Endless Column, Version 1 Constantin Brancusi, 1918
Girl in Profile Gwendolen Mary John, 1918
Green Eye Composition Stanisław Ignacy Witkiewicz, 1918
Infant Gustav Klimt, 1917 – 1918
Katri Helene Schjerfbeck, 1918
Monkey Marionette for Balli Plastici Fortunato Depero, 1918
Non-Objective Painting no. 80 (Black on Black) Aleksandr Rodchenko, 1918
Olympia in War Time: Royal Army Clothing Depot Clare Atwood, 1918
Overnight Snow Marianne von Werefkin, 1918
Portrait of Katherine Mansfield Anne Estelle Rice, 1918
Rhythm of a Russian Dance Theo van Doesburg, 1918
Rooster Marionette for Balli Plastici Fortunato Depero, 1918
Self-portrait Grégoire Michonze, 1918
Study in Brown Helene Schjerfbeck, 1915 – 1918
The Disquieting Muses Giorgio de Chirico, 1916 – 1918
The Edwardians Frances Hodgkins, 1918
The Garden, Sketch Édouard Vuillard, 1918
. . . this feeling of being at someone else's mercy weighs on me tremendously, and when such circumstances are prolonged I cannot find delight in art. . .
The Military is Antithetical to Art Egon Schiele, 1918
The St. Adolf-Ship in the Great Eastern Sea Adolf Wölfli, 1918
The St. Adolf-Swiss-Tower Adolf Wölfli, 1918
To Be Looked At Marcel Duchamp, 1918
Two Nudes, Double Self-portrait Élisabeth Chaplin, 1918
Under the Sea Glyn Philpot, 1914 – 1918
Variation on Composition XIII Theo van Doesburg, 1918
Vase of Flowers Gwendolen Mary John, 1918
50 cc of Paris Air Marcel Duchamp, 1919
Bathing Woman, Seen from the Back Pierre Bonnard, 1919
Bretons in the moor Paul Sérusier, 1919
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