Ancient life was all silence. Today, Noise reigns supreme over the sensibility of men.
The Art of Noises Luigi Russolo, 1913
There is nothing more awful in the world than repetition, uniformity
The Bases of the New Creation Olga Rozanova, 1913
The Cyclist Natalia Goncharova, 1913
The Forest Natalia Goncharova, 1913
The Foxes Franz Marc, 1913
The Knife Grinder or 'Principle of Glittering' Kazimir Malevich, 1912 – 1913
The Reader Marie Laurencin, 1913
The red fence, Gränna Sigrid Hjertén, 1913
I shake off the dust of the West, and I consider all those people ridiculous and backward who still imitate Western models in the hope of becoming pure painters and who fear literariness more than death.
The Rise of Russian Art Natalia Goncharova, 1913
The Secret Eleanor Fortescue-Brickdale, 1913
Treetops Against Sky John Singer Sargent, 1913
Unique Forms of Continuity in Space Umberto Boccioni, 1913
Wally in Red Blouse with Raised Knees Egon Schiele, 1913
Water Sprite, (Wassermann) Richard Teschner, 1913
White beach Félix Vallotton, 1913
With goodly greenish locks, all loose untied Eleanor Fortescue-Brickdale, 1913
Woman seated in a Dagobert armchair Madeleine Lemaire, 1913
Woman with a Fan Jean Metzinger, 1913
Abstract Speed + Sound Giacomo Balla, 1913 – 1914
After the Meeting Cecilia Beaux, 1914
Air and Train Station with Funiculars Antonio Sant'Elia, 1914
At The Seaside — Self-portrait Romaine Brooks, 1914
Battle of Lights, Coney Island, Mardi Gras Joseph Stella, 1913 – 1914
Bottle Rack Marcel Duchamp, 1914
Cards and Dice Georges Braque, 1914
Catherine the Great Egg Peter Carl Fabergé, 1914
Christ and the Storm Giorgio de Chirico, 1914
City On Fire Olga Rozanova, 1914
Composition No. 6 Piet Mondrian, 1914
Composition No. 9 Piet Mondrian, 1913 – 1914
Coney Island Joseph Stella, 1914
Costume for 'Le Coq d'Or' Natalia Goncharova, 1914
Cousin, Suzie Porter, New York City James Van Der Zee, 1914
Crucifixion of the Holy St. Adolf Adolf Wölfli, 1914
Curtain for Le Coq d'Or: Third Act Natalia Goncharova, 1914
Daughter Miyuki Uemura Shōen, 1914
Designs for the stage wings of ‘Le Coq d’Or’ Natalia Goncharova, 1914
Enharmonic Notation for Intonarumori Luigi Russolo, 1914
Femmes assises à une fenêtre Albert Gleizes, 1914
Girl at Her First Communion María Blanchard, 1914
Houses with Laundry (Seeburg) Egon Schiele, 1914
Interior of a Display Temple Wenzel Hablik, 1914
Interventionist Demonstration Carlo Carrà, 1914
Krumau on the Moldova Egon Schiele, 1914
La France Croisee Romaine Brooks, 1914
Lovers Egon Schiele, 1914
Just as the ancients drew inspiration for their art from the elements of nature, we—who are materially and spiritually artificial—must find that inspiration in the elements of the utterly new mechanical world we have created.
Manifesto of Futurist Architecture Antonio Sant'Elia, 1914
Mary Henry Ossawa Tanner, 1914
Oval Composition with Light Colors Piet Mondrian, 1913 – 1914
Paysage Cubiste (Landscape, Baum und Fluss) Albert Gleizes, 1914
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