“Study the science of art. Study the art of science. Develop your senses—especially learn how to see. Realize that everything connects to everything else.” - Leonardo da Vinci
In feudal europe, art and culture was inextricably tied to the Christian church. The massive gothic cathedrals and monasteries were the de-facto schools of the day, and both taught the arts, and funded artistic production. But in the early 15th century, in Florence Italy, a man named Cosimo de’ Medici was about to steal art back from the church and give it to business.
Cosimo di Giovanni de’ Medici was the head of the Medici Bank, the largest bank in Europe. In 1434, after more than a decade of political grappling with the previous Florentine dynasty, he gained the full support of the local government, and rebuilt Florence into the financial capital of the western world. With his family’s connections through marriage and trade, Cosimo was able to bring stability to Florence that soon spread throughout Italy. Flourishing trade spawned a wealthy middle-class, and connected previously isolated cities. The new commercial elite was hungry for culture and invention, and they had the money to pay for it. Capitalism wanted art.
And here we have the beginning of the Renaissance, a massive cultural movement that swept through Europe, and evolved distinctly in France, Spain and Northern Europe. For the first time in centuries, art was partially divorced from the church, and while religious commissions continued, artists and writers began to look back to classical antiquity. Wealthy patrons were immortalized in lavish portraits, and works like Botticelli’sBirth of Venus sparked a renewed interests in Greek and Roman mythology and values. The foundations of humanism, laid nearly a century before by the scholar Petrarch, were built on by writers like Niccolò Machiavelli and even Pope Pius II, a himself a humanist writer and diplomat.
It’s important to note that at first the Italian Renaissance flourished only among society’s elite. While most of Europe was still steeped in feudalism, in urban centers, painters, sculptors, inventors and writers like Leonardo da Vinci, Donatello, Raphael, Fede Galizia and Giorgio Vasari were sponsored by wealthy patrons to push art and science to new heights. To paraphrase author William Gibson, the future had arrived, but it was not evenly distributed.
Until 1440, when the German blacksmith Johannes Gutenberg revolutionized printed communication with the invention of movable type. Gutenberg’s movable type and printing press allowed writings to be printed quickly and cheaply, bringing the ideas of the intellectual elite to the common people. Broadsheets, the newspapers of the time, could be typeset in an afternoon, and printed at the rate of 240 impressions an hour. Renaissance painting was still the purview of the rich, but the Renaissance ideas of human agency, rationalism and critical thinking began to take hold throughout Europe.
Reed Enger, "Italian Renaissance, Cultural rebirth though intellectual inquiry," in Obelisk Art History, Published January 23, 2015; last modified June 26, 2019, http://arthistoryproject.com/timeline/age-of-discovery/italian-renaissance/.
Spiritual rock star kickstarts the Italian Renaissance1395-1455
A celibate perfectionist revives classical sculpture1386-1466
A mathematician gets fierce with perspective1415-1492
A case of mistaken identity1450-1500
Rich color and mood like smooth syrup1477-1510
A fulcrum between old and new1445-1510
Did you know he was a vegetarian?1452-1519
Star boy parties himself to death1483-1520
A rich boy makes friends and paints for fun1480-1531
Copying Leonardo da Vinci for fun and profit.1495-1549
Time to flex1475-1564
The first art historian1511-1574
"The Sun amidst small stars"1488-1576
Inventor of Curb Appeal, Master of the Facade1508-1580
Matriarch of the family business1552-1614
Intimate portraitist and confidant to the queen1532-1625
Bringing soul to still lifes1578-1630