In the Garden Sigrid Hjertén, 1920
Le Muillard Élisabeth Chaplin, 1920
Summer Flowers Anne Estelle Rice, 1920
The Green Tablecloth Anne Estelle Rice, 1920
The Abandoned Doll Suzanne Valadon, 1921
Blessing of the Tuna Fleet at Groix Paul Signac, 1923 – 1923
Gypsy from Figueres Salvador Dalí, 1923
The Blue Room Suzanne Valadon, 1923
Woman, Two Men and Children Albert Gleizes, 1924
Women In White Stockings Suzanne Valadon, 1924
The Window Pierre Bonnard, 1925
Reclining Nude Suzanne Valadon, 1928
Sleeping woman Pierre Bonnard, 1928
Indian Church Emily Carr, 1929
Blunden Harbour Emily Carr, 1928 – 1930
Brittany Anne Estelle Rice, 1930
Vanquished Emily Carr, 1930
Big Raven Emily Carr, 1931
Red Cedar Emily Carr, 1931
Totem and Forest Emily Carr, 1931
Tree Trunk Emily Carr, 1931
Forest, British Columbia Emily Carr, 1931 – 1932
Old Timer Emily Carr, 1931 – 1932
Self-Portrait as a Tahitian Amrita Sher-Gil, 1934
Dining Room on the Garden Pierre Bonnard, 1934 – 1935
Group of Three Girls Amrita Sher-Gil, 1935
In the Forest, BC Emily Carr, 1935
Nude in an Interior Pierre Bonnard, 1935
The workshop with Mimosa Pierre Bonnard, 1935
Blue Sky Emily Carr, 1936
Two Women Amrita Sher-Gil, 1936
Red Verandah Amrita Sher-Gil, 1938
Happiness Emily Carr, 1939
My classical education naturally led me to study the Masters ... until the day when I realized that for me it was necessary to forget the technique of the Masters, or rather understand it in a completely personal manner. Isn’t this the rule with every artist of classical training?
Notes of a Painter on His Drawing Henri Matisse, 1939
Odds and Ends Emily Carr, 1939
The Big Bath Pierre Bonnard, 1937 – 1939
The Merry Cemetery Amrita Sher-Gil, 1939
The Terrace at Vernonnet Pierre Bonnard, 1939
Wind in the Tree Tops Emily Carr, 1936 – 1939
Mining in the Basin Théo Kerg, 1942
The Leaf of the Artichoke is an Owl Arshile Gorky, 1944
The Couturières Édouard Vuillard, 1946
Village People Grégoire Michonze, 1952
