Hampstead Heath with Bathers John Constable, 1821
Portrait of the Sisters Zénaïde and Charlotte Bonaparte Jacques-Louis David, 1821
Fontainebleau, Storm Over The Plains Jean-Baptiste Camille Corot, 1822
Head of a Vestal Virgin Antonio Canova, 1821 – 1822
Moonrise over the Sea Caspar David Friedrich, 1822
The Barque of Dante Eugène Delacroix, 1822
The Lone Tree Caspar David Friedrich, 1822
Rocky ravine in the Elbe Sandstone Mountains Caspar David Friedrich, 1822 – 1823
Saturn Devouring one of his Children Francisco de Goya y Lucientes, 1823
Venus Italica Antonio Canova, 1822 – 1823
Mars Disarmed by Venus and the Three Graces Jacques-Louis David, 1822 – 1824
Reclining Naiad Antonio Canova, 1819 – 1824
The Bass Rock Joseph Mallord William Turner, 1824
The Bass Rock Joseph Mallord William Turner, 1824
The Battle of Trafalgar Joseph Mallord William Turner, 1822 – 1824
Salisbury Cathedral from the Bishop's Grounds John Constable, 1825
The Falls of Niagara Edward Hicks, 1825
The Ford Under The Bended Tree Jean-Baptiste Camille Corot, 1825
The Combat of the Giaour and Hassan Eugène Delacroix, 1824 – 1826
View from the Window at Le Gras Nicéphore Niépce, 1826
View from the Window at Le Gras Nicéphore Niépce, 1826
Amida Waterfall on the Kisokaido Road Katsushika Hokusai, 1827
Beatrice Addressing Dante from the Car William Blake, 1824 – 1827
Dante Running from the Three Beasts William Blake, 1824 – 1827
The examples that I have the honor of presenting are the first results of my extensive research on the manner of fixing the image of objects by the action of light.
Heliography: Designs and Engravings Nicéphore Niépce, 1827
Laocoön William Blake, 1825 – 1827
Marino, Large Buildings on the Rocks Jean-Baptiste Camille Corot, 1826 – 1827
Minos William Blake, 1824 – 1827
Seascape Study with Rain Cloud John Constable, 1827
The Death of Sardanapalus Eugène Delacroix, 1827
National Capitol Columns 1828
Peaceable Kingdom Edward Hicks, 1826 – 1828
Light acts chemically upon bodies. It is absorbed, it combines with them, and communicates new properties. Such, in a few words, is the principle of the discovery.
Description of Heliography (with notes by Louis Daguerre) Louis Jacques Mandé Daguerre, Nicéphore Niépce, 1829
Numerous experiments made by the author prove that light cannot fall upon a body without leaving traces of decomposition on the surface upon which it impinges.
Modifications and Improvements to N. Niepce Process of Heliography Louis Jacques Mandé Daguerre, 1829
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