On the Contrary Kay Sage, 1952
Portrait of Willem de Kooning Elaine de Kooning, 1952
Red and Yellow Maria Helena Vieira da Silva, 1952
Shakuntala Nandalal Bose, 1952
Sharecropper Elizabeth Catlett, 1952
Some Roses and Their Phantoms Dorothea Tanning, 1952
Sorrow of the King Henri Matisse, 1952
Step-Sister's Hen Leonora Carrington, 1952
Still Life Giorgio Morandi, 1952
Study for a Portrait Francis Bacon, 1952
Village People Grégoire Michonze, 1952
Woman I Willem de Kooning, 1950 – 1952
Woman, II Willem de Kooning, 1952
African Theme III Charles Alston, 1952 – 1953
Biblical scenes Bodo, 1953
Composition with Vertical Saloua Raouda Choucair, 1953
Construction in space Araceli Gilbert, 1953
Gradual Rythmical Composition Saloua Raouda Choucair, 1953
Harvest Talk Charles White, 1953
Linear Construction in Space no. 3, with Red Naum Gabo, 1952 – 1953
Migrating Birds Norman Lewis, 1953
Mother and Child (Abstract) Tamara de Lempicka, 1953
New York, N.Y. Franz Kline, 1953
Rooster Vũ Cao Đàm, 1953
Scene with a Car Chang Ucchin, 1953
Spectrum Colors Arranged by Chance Ellsworth Kelly, 1951 – 1953
Untitled Mark Rothko, 1953
A White Bull Lee Jung-seob, 1953 – 1954
Architectural Cadences Charles Sheeler, 1954
Crucifixion (Corpus Hypercubus) Salvador Dalí, 1954
Dance of the Heyoka Oscar Howe, 1954
Imaginary Numbers Yves Tanguy, 1954
Laburnum Hans Hofmann, 1954
Leo Castelli Elaine de Kooning, 1954
Portrait of Conrad Fried Elaine de Kooning, 1954
Portrait of Kizette 1 Tamara de Lempicka, 1954
Roofs of Chinatown Tilsa Tsuchiya, 1954
Shattered Light Lee Krasner, 1954
The Great Parade (definitive state) Fernand Henri Léger, 1954
The Juggler Leonora Carrington, 1954
The Sprawling City Maria Helena Vieira da Silva, 1954
Three Women in a Landscape Anita Magsaysay-Ho, 1950 – 1954
White Light Jackson Pollock, 1954
Woman Willem de Kooning, 1953 – 1954
Young Virgin Auto-Sodomized by the Horns of Her Own Chastity Salvador Dalí, 1954
Bed Robert Rauschenberg, 1955
Bird Talk Lee Krasner, 1955
Children At Play Mai Trung Thứ, 1955
Composition Synthese Araceli Gilbert, 1955
