Fairy Tale Mikalojus Konstantinas Čiurlionis, 1909
The Last Angel Nicholas Roerich, 1912
Interventionist Demonstration Carlo Carrà, 1914
Altarpiece No. 1 Group X Hilma af Klint, 1915
Group IX/SUW No. 8, The Swan, No. 8 Hilma af Klint, 1915
Group IX/SUW, The Swan, No. 1 Hilma af Klint, 1915
Anthill Marianne von Werefkin, 1916
Bird in Motion Fortunato Depero, 1916
New York Albert Gleizes, 1916
Spanish Dancer Albert Gleizes, 1916
Fantastic night Marianne von Werefkin, 1917
Le Muillard Élisabeth Chaplin, 1920
And We See Nicholas Roerich, 1922
Decoration Mainie Jellett, 1923
Padma Sambhava Nicholas Roerich, 1924
Serpent of Wisdom Nicholas Roerich, 1924
Power of the Caves Nicholas Roerich, 1925
Proun 99 El Lissitzky, 1923 – 1925
Tidings of the Eagle Nicholas Roerich, 1927
Cavalli Giorgio de Chirico, 1930
Elijah the Prophet Nicholas Roerich, 1931
Saint Panteleimon the Healer Nicholas Roerich, 1931
Issa and the Skull of the Giant Nicholas Roerich, 1932
Kuan-yin Nicholas Roerich, 1933
Santiniketan Nandalal Bose, 1933
Tibet, Himalayas Nicholas Roerich, 1933
Zvenigorod Nicholas Roerich, 1933
From Beyond Nicholas Roerich, 1936
Allegorical Composition Pavel Tchelitchew, 1936 – 1937
Bull Handler Haripura Nandalal Bose, 1937
Esraj Player Nandalal Bose, 1937
Blind Singer William H. Johnson, 1940
Migration Series No.1: During World War I there was a great migration north by southern African Americans Jacob Lawrence, 1940 – 1941
Migration Series No.2: The war had caused a labor shortage in northern industry. Citizens of foreign countries were returning to their native lands Jacob Lawrence, 1940 – 1941
Migration Series No.3: From every southern town migrants left by the hundreds to travel north Jacob Lawrence, 1940 – 1941
Migration Series No.4: All other sources of labor having been exhausted, the migrants were the last resource Jacob Lawrence, 1940 – 1941
Migration Series No.5: Migrants were advanced passage on the railroads, paid for by northern industry. Northern industry was to be repaid by the migrants out of their future wages Jacob Lawrence, 1940 – 1941
Migration Series No.6: The trains were crowded with migrants Jacob Lawrence, 1940 – 1941
Migration Series No.7: The migrant, whose life had been rural and nurtured by the earth, was now moving to urban life dependent on industrial machinery Jacob Lawrence, 1940 – 1941
Migration Series No.8: Some left because of promises of work in the North. Others left because their farms had been devastated by floods Jacob Lawrence, 1940 – 1941
Migration Series No.9: They left because the boll weevil had ravaged the cotton crop Jacob Lawrence, 1940 – 1941
Migration Series No.10: They were very poor Jacob Lawrence, 1940 – 1941
Migration Series No.11: Food had doubled in price because of the war Jacob Lawrence, 1940 – 1941
Migration Series No.12: The railroad stations were at times so crowded with people leaving that special guards had to be called to keep order Jacob Lawrence, 1940 – 1941
Migration Series No.13: The crops were left to dry and rot. There was no one to tend them Jacob Lawrence, 1940 – 1941
Migration Series No.14: For African Americans there was no justice in the southern courts Jacob Lawrence, 1940 – 1941
Migration Series No.15: There were lynchings Jacob Lawrence, 1940 – 1941
Migration Series No.16: After a lynching the migration quickened Jacob Lawrence, 1940 – 1941
Migration Series No.17: Tenant farmers received harsh treatment at the hands of the planter Jacob Lawrence, 1940 – 1941
