Composition: Horse and Figures Arshile Gorky, 1928
Dutch Interior (I) Joan Miró, 1928
Figure André Breton, 1928
New LEF: Journal of the Left Front of the Arts Aleksandr Rodchenko, 1927 – 1928
The Lovers René Magritte, 1928
Woman with Flag Tina Modotti, 1928
Illumined Pleasures Salvador Dalí, 1929
Tehuantepec Type Tina Modotti, 1929
The False Mirror René Magritte, 1929
Untitled Aleksandr Rodchenko, 1929
Ballet, Light Maquette Aleksandra Ekster, 1926 – 1930
Indian Dancer: From an Ethnographic Museum Hannah Höch, 1930
Lumber Aleksandr Rodchenko, 1930
Pioneer with a Bugle Aleksandr Rodchenko, 1930
Simultaneous Counter-Composition Theo van Doesburg, 1929 – 1930
The Persistence of Memory Salvador Dalí, 1931
Couple, Harlem James Van Der Zee, 1932
Family Portrait, II Florine Stettheimer, 1933
Landscape André Breton, 1933
Large Still Life with Coffeepot Giorgio Morandi, 1933
Retrospective Bust of a Woman Salvador Dalí, 1933
Ornamental Gargoyle, Chrysler Building Margaret Bourke-White, 1934
Portrait of Gala Salvador Dalí, 1935
Rotorelief 1 (Optical Disks) Marcel Duchamp, 1935
Rotorelief 2 (Optical Disks) Marcel Duchamp, 1935
My Grandparents, My Parents, and I (Family Tree) Frida Kahlo, 1936
Object Méret Oppenheim, 1936
The Nymph Echo Max Ernst, 1936
Still Life with Old Shoe Joan Miró, 1937
Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone Salvador Dalí, 1938
Study for a Painting Ad Reinhardt, 1938
Study for a Painting Ad Reinhardt, 1938
Untitled Ad Reinhardt, 1938
Argula Arshile Gorky, 1939
Fulang-Chang and I Frida Kahlo, 1937 – 1939
Study for a Painting Ad Reinhardt, 1939
Study for a Painting Ad Reinhardt, 1939
The Furniture of Time Yves Tanguy, 1939
Blind Singer William H. Johnson, 1940
Collage Ad Reinhardt, 1940
Newsprint Collage Ad Reinhardt, 1940
Self-Portrait with Cropped Hair Frida Kahlo, 1940
The Escape Ladder (from the Constellation series) Joan Miró, 1940
Yellow Chicken Bill Traylor, 1939 – 1940
Children William H. Johnson, 1941
Migration Series No.2: The war had caused a labor shortage in northern industry. Citizens of foreign countries were returning to their native lands Jacob Lawrence, 1940 – 1941
Migration Series No.4: All other sources of labor having been exhausted, the migrants were the last resource Jacob Lawrence, 1940 – 1941
Migration Series No.6: The trains were crowded with migrants Jacob Lawrence, 1940 – 1941
Migration Series No.8: Some left because of promises of work in the North. Others left because their farms had been devastated by floods Jacob Lawrence, 1940 – 1941
