Marie Laurencin

Marie Laurencin, Cecilia de Madrazo and the Dog Coco

Marie Laurencin, Cecilia de Madrazo and the Dog Coco, Marie Laurencin

Marie Laurencin, Cecilia de Madrazo and the Dog Coco, zoomed in

33 cm

Marie Laurencin, Cecilia de Madrazo and the Dog Coco scale comparison

46 cm

See Marie Laurencin, Cecilia de Madrazo and the Dog Coco in the Kaleidoscope

Marie Laurencin, Cecilia de Madrazo and the Dog Coco is an Early Modernist Oil on Canvas Painting created by Marie Laurencin in 1915. It lives at the Tate Britain in London. The image is in the Public Domain, and tagged Women, Dogs and Self-portraits. Source Download

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Marie Laurencin painted this self portrait while in staying in Madrid — avoiding the horrors of World War 1 with her German husband Otto von Wätjen. The portriat includes their host, Cecilia de Madrazo, and a dog she bought from a sailor in Malaga.

Further reading attate.org.uk

The Elegant Ball, the Country Dance, Marie Laurencin

The Elegant Ball, the Country Dance

Two Sisters with a Cello, Marie Laurencin

Two Sisters with a Cello

Diane Hunting, Marie Laurencin

Diane Hunting

Sorrow of the King, Henri Matisse

Sorrow of the King

Henri Matisse, 1952

Femme assise au bouquet de feuillage, Jean Metzinger

Femme assise au bouquet de feuillage

Jean Metzinger, 1905

Tree of Knowledge No. 5, Hilma af Klint

Tree of Knowledge No. 5

Hilma af Klint, 1913-1915

Cantilever Cupola with Five Hilltops, Wenzel Hablik

Cantilever Cupola with Five Hilltops

Wenzel Hablik, 1924

The Education of the Children of Clovis, Lawrence Alma-Tadema

The Education of the Children of Clovis

Lawrence Alma-Tadema, 1861

Grey and Silver: Chelsea Wharf, James McNeill Whistler

Grey and Silver: Chelsea Wharf

James McNeill Whistler, 1864-1868

Pier and Ocean (Composition No. 10), Piet Mondrian

Pier and Ocean (Composition No. 10)

Piet Mondrian, 1915

Vive la France, Filippo Tommaso Marinetti

Vive la France

Filippo Tommaso Marinetti, 1914-1915

The Poet Reclining, Marc Chagall

The Poet Reclining

Marc Chagall, 1915

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