November 3, 1954
Expression, for me, does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive.
My classical education naturally led me to study the Masters ... until the day when I realized that for me it was necessary to forget the technique of the Masters, or rather understand it in a completely personal manner. Isn’t this the rule with every artist of classical training?
Why can’t I stop painting my mother?
1882-1916There is no God — only Truth
1872-1944100% artist
1869-1954A painter of inner and outer worlds
1887-1985What if you only painted bottles for your whole life?
1890-1964The world isn't ready
1862-1944How to paint music
1866-1944Artist turns modernism into equal rights activism
1869-1944A woman brings Indian tradition into modernism
1913-1941A genius colorist fights schizophrenia
1885-1948Ending a friendship over diagonal lines
1883-1931The man who ate the world's art
1881-1973The unblinking anxiety of modern life
1900-1984Portrait Painter Extraordinaire
A brief, sassy take on Matisse at Sartle