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Evelyn De Morgan, 1907
The Prisoner
A lady sits in her prison, yearning for the freedom and sunlight beyond the prison window. The peacock feather decoration on her precious blue dress is a symbol of immortality. Her isolation is expressed on one side by the heavy iron bars, and on the other by her chained wrists. On one wrist she wears a metal shackle, from which hang the links of a chain. The other end of the chain merges into a golden bracelet. read more
The Prisoner, Evelyn De Morgan
The Etruscans, 400BCE
Chimera of Arezzo
This is an undeniably modern interpretation. The chimera, like most beasts of antiquity, was the bad guy. Child of the giant serpent Typhon and the half woman half snake Echidna (you know her from the Starbucks logo) the Chimera was an abominable thing, unnatural combination of lion and goat, with the head of a snake for a tail. Her brothers and sisters live in legend. read more
Chimera of Arezzo, The Etruscans
Toyen
What's in a name?
Names are assigned to us before we are aware of their meaning, and we grow into them as much as they come to reflect us. In Japan artists often changed names after milestones in their lives, but in the west, once you've been given a name, you're usually stuck with it—a rigidity that makes claiming a new name even more powerful magic. read more
Toyen, The Artists
Sascha Schneider, 1904
Hypnosis
To Sascha Schneider the male body was perfection, and the world its antagonist. Schneider worked in Germany in the late 19th and early 20th centuries, during the development of Freikörperkultur, free body culture, also called the Health and Hygiene movement. Freikörperkultur aimed to counteract the restraint and stress of industrialization with a restorative mix of open air nudity, exercise, and healthy diet. read more
Hypnosis, Sascha Schneider
Born on June 16
Jim Dine, The ArtistsPortrait of Jim Dine

Jim Dine

Embracing the iconography of childhood

Henriette Browne, The ArtistsPortrait of Henriette Browne

Henriette Browne

1829 – 1901

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