‘Pity, like a naked newborn babe, striding the blast, or heaven’s cherubim horsed, upon the sightless couriers of the air, shall blow the horrid deed in every eye’ — These lines from scene 7, act 1 of Macbeth inspired William Blake to create this obsessivly worked monoprint, a style he called his frescos.
In a uniquely personal form of printmaking, Blake began with a relief etching, then applied oil or tempera mixed with chalk, and finally finished by hand with and pen. Blake illustrated many scenes by Shakespeare and Milton — creating a strangely cohesive world of ghostly figures and supernatural ritual.
