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The Kiss, Max Ernst

The Kiss

Marie-Berthe Aurenche was twenty-one and engaged to a lawyer when her brother Jean introduced her to the throbbing phantasmagoria of the Paris art scene. read more

The Etruscans, 400BCE

Chimera of Arezzo

This is an undeniably modern interpretation. The chimera, like most beasts of antiquity, was the bad guy. Child of the giant serpent Typhon and the half woman half snake Echidna (you know her from the Starbucks logo) the Chimera was an abominable thing, unnatural combination of lion and goat, with the head of a snake for a tail. Her brothers and sisters live in legend. read more

Chimera of Arezzo, The Etruscans

What's in a name?

Names are assigned to us before we are aware of their meaning, and we grow into them as much as they come to reflect us. In Japan artists often changed names after milestones in their lives, but in the west, once you've been given a name, you're usually stuck with it—a rigidity that makes claiming a new name even more powerful magic. read more

Toyen, The Artists

Sascha Schneider, 1904

To Sascha Schneider the male body was perfection, and the world its antagonist. Schneider worked in Germany in the late 19th and early 20th centuries, during the development of Freikörperkultur, free body culture, also called the Health and Hygiene movement. Freikörperkultur aimed to counteract the restraint and stress of industrialization with a restorative mix of open air nudity, exercise, and healthy diet. read more

Hypnosis, Sascha Schneider

Born on May 1

Cecilia Beaux, The Artists

Portrait of Cecilia Beaux

Cecilia Beaux

The 'new woman' in painting

Judith Scott, The Artists

Portrait of Judith Scott

Judith Scott

Cocoons, totems and twins

George Inness, The Artists

Portrait of George Inness

George Inness

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