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Ancient saints in a monochrome world

There is a strict vocabulary to the minimalist paintings of Stellos Votsis; regimented grids on white paperboard, punctuated with flattened, iconic human figures who fly kites and send up smoke signals to a blank circular sun. Votsis’s style is so consistent that his decades-long oeuvre appears to illustrate a single, somber story. read more

Stelios Votsis, The Artists

The Etruscans, 400BCE

Chimera of Arezzo

This is an undeniably modern interpretation. The chimera, like most beasts of antiquity, was the bad guy. Child of the giant serpent Typhon and the half woman half snake Echidna (you know her from the Starbucks logo) the Chimera was an abominable thing, unnatural combination of lion and goat, with the head of a snake for a tail. Her brothers and sisters live in legend. read more

Chimera of Arezzo, The Etruscans

What's in a name?

Names are assigned to us before we are aware of their meaning, and we grow into them as much as they come to reflect us. In Japan artists often changed names after milestones in their lives, but in the west, once you've been given a name, you're usually stuck with it—a rigidity that makes claiming a new name even more powerful magic. read more

Toyen, The Artists

Sascha Schneider, 1904

To Sascha Schneider the male body was perfection, and the world its antagonist. Schneider worked in Germany in the late 19th and early 20th centuries, during the development of Freikörperkultur, free body culture, also called the Health and Hygiene movement. Freikörperkultur aimed to counteract the restraint and stress of industrialization with a restorative mix of open air nudity, exercise, and healthy diet. read more

Hypnosis, Sascha Schneider

Born on August 2

Envisioning a pastel eden

Lê Phổ, The Artists

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