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Christ in the House of His Parents, John Everett Millais

Christ in the House of His Parents

Millais’s painting Christ in the House of His Parents was met with extreme criticism when first exhibited because of its realistic depiction of a carpentry workshop, with dirt and detritus on the floor. This was in dramatic contrast to the familiar portrayal of Jesus, his family, and his apostles in costumes reminiscent of Roman togas. Charles Dickens penned a bitter and sardonic review, excerpted below: read more
The Etruscans, 400BCE
Chimera of Arezzo
This is an undeniably modern interpretation. The chimera, like most beasts of antiquity, was the bad guy. Child of the giant serpent Typhon and the half woman half snake Echidna (you know her from the Starbucks logo) the Chimera was an abominable thing, unnatural combination of lion and goat, with the head of a snake for a tail. Her brothers and sisters live in legend. read more
Chimera of Arezzo, The Etruscans
Toyen
What's in a name?
Names are assigned to us before we are aware of their meaning, and we grow into them as much as they come to reflect us. In Japan artists often changed names after milestones in their lives, but in the west, once you've been given a name, you're usually stuck with it—a rigidity that makes claiming a new name even more powerful magic. read more
Toyen, The Artists
Sascha Schneider, 1904
Hypnosis
To Sascha Schneider the male body was perfection, and the world its antagonist. Schneider worked in Germany in the late 19th and early 20th centuries, during the development of Freikörperkultur, free body culture, also called the Health and Hygiene movement. Freikörperkultur aimed to counteract the restraint and stress of industrialization with a restorative mix of open air nudity, exercise, and healthy diet. read more
Hypnosis, Sascha Schneider
Born on January 31
Adolf Hirémy-Hirschl
Gothic drama from the end of an era
Adolf Hirémy-Hirschl, The Artists

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