The Artists

Jacques-Louis David
Virtuoso painter, political chameleon, complete jerk

Jacques-Louis David, The Artists
Portrait of Jacques-Louis David

Jacques-Louis David was a survivor, an ill-tempered chameleon whose mesmerizing colors saved him from prison, earned him a title from an emperor, and lived on through his devoted students and followers.

A Magnificent Education

David was raised by his wealthy uncles after his father was killed in a duel. A stubborn child with a speech impediment and a love of drawing, he was lucky to receive one of history’s best educations in art.

One of David’s distant relatives happened to be François Boucher, one of the era’s most sought-after painters, and for a time, David’s tutor. Later, Boucher sent David to learn from Joseph-Marie Vien, another preeminent Rococo artist. Finally, David attended the Royal Academy at the Louvre, where he painted to compete for the Prix de Rome, a scholarship that sent the single most promising student each year to Rome to study ancient classics and the Renaissance masters. He failed three times to win the Prix, throwing tantrums and threatening suicide with each loss. Finally, at 26 years old, David won the Prix with his painting Erasistratus Discovering the Cause of Antiochus’ Disease.

From Academia to Revolution

Rome introduced David to Raphael Mengs and the full weight of academic expectation. In 1779, he had the opportunity to tour the recently excavated ruins of Pompeii. On his return to Paris in 1780, his authoritative brush and his connections from Rome earned him a coveted place as a member of the Royal Academy. The King himself granted David the right to live in the Louvre, take government commissions and teach up to 50 students. His work at this time shows the profound influence of his classical training in Rome, and bold imaginings of history in works like the Oath of the Horatii and The Death of Socrates.

But violence was brewing in Paris—tension that soon exploded into the French Revolution. David had become friends with Maximilien Robespierre at the Jacobin Club, where dissenting thought fermented. David’s work swung to support the new nationalists, with the monumental work The Lictors Bring to Brutus the Bodies of His Sons honoring Lucious Junius Brutus, the famous Roman revolutionary. This work was a clear declaration of revolutionary support, and was removed from display by the French royals. But David had played his cards well, and became a leader of the revolution alongside Robespierre. David voted in the National Convention to execute King Louis XVI, was named dictator of the arts under the French Republic, and commemorated the formative moment of the revolution in “The Oath of the Tennis Court”.

First Painter to the Emperor

After Robespierre’s fall from power, David was imprisoned twice, where he developed a new “Grecian Style” of painting for “The Intervention of the Sabine Women” that called for peace in France. The statuesque forms caught the attention of Napoleon Bonaparte, who inducted David into his propaganda machine. At 56 years old, David became the “First Painter to the Emperor” and refined his Empire Style, a palette of warm Venetian color and polished surfaces. He painted the highlights of Napoleon’s reign, including the Emperor’s coronation and victory at the Battle of Marengo.

One final time, a power shift in France forced David to pivot. With the restoration of the Bourbon dynasty, King Louis XVIII generously overlooked David’s vote to execute his predecessor, and offered David the role of court painter. But the strain of politics was too much, and David chose exile, settling into a quiet life in Brussels. In solitude, he painted his magnum opus: Mars being Disarmed by Venus and the Three Graces, which drew his former students from far and wide. David died just a year later in a carriage accident. While his body buried in Brussels, his heart was returned to Paris and buried in the Pere Lachaise Cemetery.


...


Got questions, comments or corrections about Jacques-Louis David? Join the conversation in our Discord, and if you enjoy content like this, consider becoming a member for exclusive essays, downloadables, and discounts in the Obelisk Store.

Reed Enger, "Jacques-Louis David, Virtuoso painter, political chameleon, complete jerk," in Obelisk Art History, Published September 23, 2015; last modified October 31, 2022, http://www.arthistoryproject.com/artists/jacques-louis-david/?sort=-modified.

Jacques-Louis David was a French artist born on August 30, 1748. David contributed to the Neoclassical movement and died on December 29, 1825.

Portrait of Marie-Joséphine Buron, Jacques-Louis David

Portrait of Marie-Joséphine Buron 1769

Erasistratus Discovers the Cause of Antiochus's Disease, Jacques-Louis David

Erasistratus Discovers the Cause of Antiochus's Disease 1774

A Young Woman of Frascati, Jacques-Louis David

A Young Woman of Frascati 1775

The Death of Socrates, Jacques-Louis David

The Death of Socrates 1787

Antoine-Laurent Lavoisier and His Wife, Marie-Anne-Pierrette Paulze., Jacques-Louis David

Antoine-Laurent Lavoisier and His Wife, Marie-Anne-Pierrette Paulze. 1788

The Lictors Bring to Brutus the Bodies of His Sons, Jacques-Louis David

The Lictors Bring to Brutus the Bodies of His Sons 1789

The Death of Marat, Jacques-Louis David

The Death of Marat 1793

Self Portrait, Jacques-Louis David

Self Portrait 1794

Psyche Abandoned, Jacques-Louis David

Psyche Abandoned 1795

Portrait of a Young Woman in White, Jacques-Louis David

Portrait of a Young Woman in White 1798

The Intervention of the Sabine Women, Jacques-Louis David

The Intervention of the Sabine Women 1795 – 1799

Bonaparte Crossing the Grand Saint-Bernard Pass, Jacques-Louis David

Bonaparte Crossing the Grand Saint-Bernard Pass 1802

Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine, Jacques-Louis David

Consecration of the Emperor Napoleon I and Coronation of the Empress Josephine 1805 – 1807

Sappho and Phaon, Jacques-Louis David

Sappho and Phaon 1809

The Emperor Napoleon in His Study at the Tuileries, Jacques-Louis David

The Emperor Napoleon in His Study at the Tuileries 1812

General Étienne-Maurice Gérard, Jacques-Louis David

General Étienne-Maurice Gérard 1816

The Farewell of Telemachus and Eucharis, Jacques-Louis David

The Farewell of Telemachus and Eucharis 1818

Portrait of the Sisters Zénaïde and Charlotte Bonaparte, Jacques-Louis David

Portrait of the Sisters Zénaïde and Charlotte Bonaparte 1821

Mars Disarmed by Venus and the Three Graces, Jacques-Louis David

Mars Disarmed by Venus and the Three Graces 1822 – 1824

By continuing to browse Obelisk you agree to our Cookie Policy